The work of Bristol sound co-founder the musician-producer, this scabrous though slight debut feature turns a sceptical eye on 90s rave culture. Self-serving pillhead David (Marc Bessant) first robs an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, fuming after David kills his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Woodsman denying his container of cider, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it leads to a comically executed rampage on the woodland paths that dips close to rural terror. Director John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
Game is in British and Irish theaters from 17 November.
